15 minutes 38 seconds
🇬🇧 English
Speaker 1
00:34
♪♪ ♪♪ We're going to take the paper, we're going to take the paper, and then we're going to add stuff in it, and we're going to put it all together, and then we're going
Speaker 2
01:21
to put it in the house. I hope they don't sell these buildings, because it's a big deal.
Speaker 3
01:29
Telling stories? Stories to make people look? To make
Speaker 2
01:38
people look for?
Speaker 3
01:39
In a neighborhood where there are a lot of hotels, it's a place where a lot of celebrities come down.
Speaker 1
01:45
So
Speaker 3
01:47
there is this building there, the big white building, it's a pretty famous hotel, where the actress Lily Varmozev always goes down. So if you look, sometimes I've seen the window, she's still living on the second floor. We don't see anything today.
Speaker 3
02:05
And in front of us, there's a very small hotel, third-class, where all the paparazzi come down. They often settle there, rent rooms during the week, and shoot for a long time. So it's pretty funny to walk around, to take a look around. Maybe you could have had an exclusive photo.
Speaker 3
02:23
I don't know, has anyone seen anything?
Speaker 2
02:36
First you have to dig, clear the ground, then find the places where we will anchor the building. Consolidate everything and then we can start to implant the structure carrier and to braided internal networks according to the landmarks we have established.
Speaker 3
02:50
Everything that
Speaker 2
02:50
must be visible afterwards, must be put at the beginning.
Speaker 3
03:30
Behind? On the other side? We're now in a very popular street. It's quite magical.
Speaker 3
03:40
It's made of a series of arcades. There are lots of shops. It's a very cosmopolitan street with a lot to see. You see people gluing to the windows.
Speaker 3
03:51
On the other side, it's exactly the same. And something quite surprising happens. People go up the street and, without even noticing, they go down the other side. It's a kind of permanent wave coming and going, which is quite beautiful to see.
Speaker 2
04:17
Grappone.
Speaker 1
04:20
Blumberger. It's not working, Madame.
Speaker 2
04:25
The execution must match what was planned. To be caused by serious disturbances, by poor context, everything around. You know, everything is at stake when you make plans.
Speaker 2
04:38
It's at that moment... Malpene...
Speaker 3
04:42
...Tapet. The man there, who arrives with his black box. On your right, you saw that big wheel box. He's a walking optician.
Speaker 3
04:54
So This man is quite picturesque in our city because he moves from district to district, and When a place inspires him, when a sidewalk pleases him, he settles down, he opens his workshop, and he repairs all kinds of optical devices on site. So broken glasses, cameras, long views, why not?
Speaker 2
05:16
Madam, do you think he could repair his binoculars?
Speaker 3
05:18
Do they have a problem?
Speaker 2
05:20
Well, I mean, we can't see through them.
Speaker 3
05:22
Can you look?
Speaker 2
05:22
Of course.
Speaker 3
05:25
Oh, yes, indeed. We can only see in the center. But with the movement, it's beautiful.
Speaker 3
05:34
By the way, nothing is fixed. 1 form can become another.
Speaker 1
06:00
♪♪ ♪♪ ♪♪ ♪♪ What's going on? What's going on? What's going on?
Speaker 1
06:52
What's going on?
Speaker 2
07:06
Are you looking for something?
Speaker 1
08:00
Pick up the trash Pick up the trash Pick up the trash Pick up the trash
Speaker 3
08:12
Behind the windows What's happening Overflows You will see that there is a very large trench that goes all along the street. And it starts there. Look at this long alignment, this opening of the asphalt.
Speaker 3
08:30
It was simply wiring work. And then the workers came across a stone alignment that seemed strangely straight. So we called the archaeologists and then the army of archaeologists arrived. Everything had to stop, the wiring was over.
Speaker 3
08:47
And it turns out that what you see now is actually an open-air museum. Because these stones, which looked like anodine, are old city ramparts. It has an inestimable historical value. And when you look at it, it's hard to imagine that, because there's a lot of waste falling.
Speaker 3
09:04
It's not protected. So buildings, pieces of tiles, gravel fall. It's slippery. They go down.
Speaker 3
09:15
They go down
Speaker 2
09:38
And also for the people who pass raise their heads. In fact, the shapes, the colors, the structure of the building, all that, it will speak if you want. Speak, if you want, so that you can bring the...
Speaker 2
10:15
Here
Speaker 3
10:25
we are in a street that is interesting because it was built in a fairly short period of time, in the 1920s. So the buildings are all of a very similar style. And a young Russian architect, Karla Sinovich, had the idea of proceeding to a kind of mirror effect.
Speaker 3
10:42
That is to say, she built a first building on this side. If you turn around, because we've already been through this, but it's the 1 with the red tiles, and then the balconies and the friezes. Well, if you keep going, you'll find the exact same building on the other side. Which gives the impression of déjà vu, in fact.
Speaker 1
11:15
You're welcome.
Speaker 2
11:21
Are you looking for something?
Speaker 3
11:22
Can I look at your device for a moment? Just for a moment.
Speaker 2
11:25
Did they ask you a question?
Speaker 3
11:27
No. How does it work?
Speaker 2
11:29
Put your eye here and here you have the sensitivity. Here, slowly. You see, it's a construction site.
Speaker 2
11:38
Here we have 5 levels of metal slabs, as many floors as there are above our heads.
Speaker 3
11:47
Look, film the sun.
Speaker 2
11:49
Wait, what are you looking at?
Speaker 3
11:52
Inside the building, they left the radiators.
Speaker 2
11:55
And we can see absolutely everything. Wait, it's not that way. If you want, it's a measuring instrument.
Speaker 3
11:59
Even the splinters in the corn.
Speaker 2
12:02
It's a theodolite. It allows me to take the edges. I start from the plan and I anchor the building in space.
Speaker 2
12:08
That's my job. It's a precision instrument, it's not made to look at radiators. There's something interesting here. Wait, let me...
Speaker 2
12:19
Wait, I'll show you. Look at this. You see, right there, towards the worker. We're going to build arcades.
Speaker 2
12:26
Arcades of a new type, entirely transparent, luminous, without any wall that will block the view. Can you show me your twins?
Speaker 3
12:35
If you want. Do you know them? We haven't seen them for a long time.
Speaker 2
12:40
Right, we can see, just let me, you can see along the wall, we're right in the middle of it, you can see the orange lines along the wall? These orange lines will disappear, but they're the starting point of the door structure. Above there will be desks, desks with entirely glassed-out windows.
Speaker 2
13:00
We're going to set up a network of cables, of fibers, a whole network. And this network will connect all the offices between them and the outside world. You see?
Speaker 3
13:10
Speaking of the outside world, everyone is coming down. Everyone has come down. Can we look?
Speaker 2
13:17
Yes, but We have to be careful.
Speaker 3
13:21
Is he the little walker?
Speaker 2
13:22
Yes, he's a boy. Do
Speaker 3
13:24
you want to look too? So, madam, the others are in the
Speaker 2
13:27
desert, and we are here, do we have to wait? What's going on? Is the time still here?
Speaker 2
13:34
It's part of the project. This is the construction site.
Speaker 3
13:38
What's the building made of?
Speaker 2
13:40
It's a wooden structure.
Speaker 3
13:42
You see, they're going up and down the windows. It's not working.
Speaker 2
13:46
Can you explain? You don't speak Italian?
Speaker 3
13:48
It's a bit dangerous there. There are some of the
Speaker 2
13:50
walls of the palace
Speaker 3
13:50
that go over the walls. But yes, it's dangerous.
Speaker 2
13:55
You see, through the wall, you
Speaker 3
13:56
can slide.
Speaker 2
13:59
Yeah, the little rooms are there.
Speaker 3
14:01
But you see inside, it really looks like the back. We will find their room in there.
Speaker 1
14:06
Because you know what you want to do?
Speaker 3
14:07
You have to fix 1 thing and then you turn until you have the necktie. You can do it? Look a little less far.
Speaker 3
14:15
If you look on this side, look. And you turn this ring.
Speaker 2
14:20
You can still see the touch of the architect. It's very cool.
Speaker 3
14:23
What? It's not over
Speaker 2
14:26
yet. Look. It looks like there are men. I hope they will paint.
Speaker 3
14:32
It's really...
Speaker 2
14:35
It's all prefabricated. They put pieces next to each other. There's a whole network to make the offices...
Speaker 3
14:44
It's too complicated for an office. What do you find complicated, madam? I don't know.
Speaker 3
14:49
The doors, you can barely see them. You can walk, bump into a wall. And then there are the bathroom. You see, it looks like there are
Speaker 2
14:57
3 bathrooms
Speaker 3
14:58
next to the office.
Speaker 2
14:59
And then there's
Speaker 3
15:00
the question, what's going
Speaker 2
15:03
to happen? Because yes, normally it's not logical to film people.
Speaker 3
15:08
Turn around again. We can see all the details. What are you doing?
Speaker 3
15:12
You can't see anything. Turn
Speaker 1
15:15
around. I'm going
Speaker 3
15:15
to put it on you. It's impossible.
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